We’ve witnessed the ingress of digital aesthetic to the analog world of art for so long that some concepts are starting to feel vintage by now, and the way Maja Djordjevic utilizes the pixelated appearance of primitive paint software, is definitely Post-Digital Pop down-right full-on retro! In her major solo exhibition currently on view at Dio Horia’s new space in Athens, the Serbian artist explores the potential of such an approach to creating work. Presenting paintings, installation and sculptures, she deftly transforms the flat pixelated aesthetics into a questionable 3D parody.

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